Showing posts with label Week 3. Show all posts
Showing posts with label Week 3. Show all posts

Friday, September 5, 2014

Famous Last Words Week 3


It’s crazy how quickly these famous last words exercises seem to be coming along! I feel like I was writing my famous last words exercise for week two just a couple of days ago! I guess having a busy schedule makes the time pass a lot more quickly, and my schedule continues to get busier and busier.

This week, I got into the groove of the weekly assignments and felt confident in what I was supposed to do and when I was supposed to be doing it. I had some difficulty setting aside time to go through my assignments for this class, but obviously things weren’t too bad because today’s Friday and I’m already wrapping up.

I read Ovid II this week and without echoing my general review too much, I will say that I liked Ovid II more than Ovid I and I was glad I continued down the Ovid path, so to speak. That being said, I am excited to dive into a completely fresh unit in week 4…it seems like there are so many good ones to choose from!

The retelling this week was easier for me to write and I’ve noticed that I’ve started to imagine possible retellings when I’m reading stories. I think that is definitely one benefit I’m already getting from this class. It makes me read much more actively and it opens up a lot of doors for creativity.

The storybook assignment this week forced me to consider more details of my storybook, which I initially didn’t want to do. However, I know breaking aspects of the storybook project into weekly assignments will make the entire thing more doable and much less dreaded.

I also liked the internet activity this week. I guess I always found the thought of setting up a website to be very intimidating, but now I know there’s nothing to be afraid of!

(A scary computer, Wikipedia)

Tuesday, September 2, 2014

Essay Week 3: Reviewing Ovid II


I took week 3 as an opportunity to continue my reading from last week and build on the knowledge I accumulated through last week’s readings. Last week, I read and enjoyed Ovid I. This week, Ovid II was on my agenda. While Ovid I had more helpful notes at the beginning and less individual stories, I have to say I liked Ovid II better.

In my opinion, Ovid II had better stories overall. To me, a large part of the stories in Ovid I felt more like ‘set the stage’ stories while the stories in Ovid II felt more developed. Most of them made sense as freestanding stories.

Like last week, I did all of the readings in one sitting. It’s easier for me this way, and once I get going, it doesn’t usually take too long. Again, there was some name-switching going on (Proserpine was also referred to as Persephone, Diana was also referred to as Artemis, etc.), but it wasn’t terribly distracting. I have some familiarity with mythology, so I was able to keep things straight for the most part.

One misgiving I had about this unit was how a sloppy attempt was made to tie many of the stories into one another. More often that not, this just meant tossing in a lot of unnecessary names and not really accomplishing much of anything.

These stories had a lot going on, and I enjoyed most of them. There was a lot of action. The only one I remember distinctly not liking was the story of Marsyas. I didn’t understand it and didn’t see the point of it. It was really short and I think it needed a little more backstory to make sense. Why was he killed and why did it have to be in such a gruesome way? I’m not sure??

(Apollo and Marsyas painting in the Louvre, Wikimedia Commons) 

Monday, September 1, 2014

Storytelling for Week 3: Latona and the Lycians


Being a goddess isn’t easy. From the outside, people may think it’s all fun and games, feasts and chariot races, decadence and offerings…and I guess it is some of those things, but people never talk about all the complications that it can cause.

Yes, many people adore you. These people will praise you and appreciate you, but they’ll also expect a lot from you. Sometimes humans don’t understand that there’s only so much you can do and you’re never going to be able to keep everybody happy, no matter how hard you try.

Other people will hate you. They’ll be jealous of your power, they’ll be upset that you didn’t come through for them, and they’ll place blame on you for the problems in their lives.

The people who like you and the people who hate you probably have one thing in common: they’re all living in fear of you. You have one little incident and your reputation spins out of control. People will think you’re going to snap on them at every possible moment.

Of course, that’s not the case. Like everybody else, I had my moment. However, I’ll defend what I did to this day, and I think if you knew the whole story, you’d be on my side, too. I’ll tell you. You’ll see.

I had just given birth. To twins. Like it was no big thing. Juno was unhappy about this, and she was out to get me. Only minutes removed from giving birth, I had to take my newborn children and make a run for it. As if running great distances with two babies after having just given birth wasn’t bad enough, it was exceptionally hot on this particular day. The sun was beating down on me and I could feel my throat tightening and my mouth drying out. I was drained in every sense of the word.

When I stumbled upon a small lake inside of a valley, I was very excited. It was about time. A drink of water had never looked or sounded better to me. There were some countrymen around the lake, but I thought nothing of them. I approached the lake and knelt down for a well-deserved drink, but they came before me and stood in my way, keeping me from the water I so desperately needed.

I asked them what their problem was and explained to them that water, like all things of nature, should be free to all. I told them that I didn’t intend to use the water for any purpose other than drinking, and I pointed out how badly I needed to quench my thirst.

Still, the men would not let me drink! Not only did they stand in my way and keep me from accessing the water, they jumped in the pool and stirred it with their hands and feet, churning up the soft mud from the depths and ruining the perfect, clear water.

At this point, I was beyond angry. Nobody deserves to be denied the simple necessity of drinking water, and they had messed with the wrong woman today. With that, I cursed them and ordered them to live in the swamp they had created forever. In my opinion, that was what they deserved. Before my eyes, the men were transformed into frogs. Now, they spend all their time in the dirty water. They are free hop around as they were so eager to do the day I first came to the lake.

I feel no remorse for my actions, and if that makes me frightening – so be it, I suppose. I didn’t randomly select people and maliciously ruin their lives. I retaliated, yes, but if  everybody had the power to do the same thing I did in my situation, I think many people would’ve acted similarly.

(Painting by Johann Georg Platzer of Latona turning the peasants into frogs, Wikipedia)


Author's Note: I chose to base my retelling on Ovid's story of Latona and the Lycians. I decided to keep the basic elements of the story the same, but to tell the story from Latona's point of view. When I initially read the story, I sympathized with her and totally understood why she'd want to turn the countrymen into frogs. In the original story, an old man is explaining why Latona is feared, but I couldn't help but feel like she was feared undeservingly. I tried to convey that in my retelling.

Bibliography:
Book: Metamorphoses
Author: Tony Kline (Translated Ovid's original into english)
Year Published: 2000
Web Source: Ovid's Metamorphoses

Week 3 Reading Diary: Ovid II


Week 3: Ovid II
For this reading diary, I plan to make some quick notes about each story contained in the reading. I will go through them in the given order.

In this opener, Calliope sings a song that describes how Venus made her son Cupid shoot an arrow into the heart of Dis so that he would fall in love with Proserpine, who is coincidentally his niece. I was a little confused what Venus' motive for doing this was. She talked about expanding her kingdom, but I wasn't clear on how having Cupid play matchmaker would do this for her.

Calliope's song continues here. Proserpine is described in her peaceful little glade before she is swept up and carried away by Dis in his dark chariot. On the journey to the underworld, a nymph tries to stop Dis, but has no success. The nymph was deeply saddened and melted away to nothingness. At some point, a boy is turned into a lizard...I didn't know what to make of that. Ceres begins searching for her daughter and when she finds Proserpine's ribbon by the water, she understands what has happened. Ceres is angry and lashes out at the earth.

Ceres meets a woman by the water and the woman begs Ceres not to scorn the earth because of the incident. She witnessed the incident and she assures Ceres that the earth was unwilling to yield for Dis. With this, Ceres goes to Jupiter and begs for a way to get Proserpine back. At first, Jupiter tries to convince Ceres that things aren't so bad, but when he sees that she's not going to have it, he makes a deal.

"If you have such a great desire to separate them, Proserpine shall return to heaven, but on only one condition, that no food has touched her lips, since that is the law, decreed by the Fates."

Ceres thinks everything is great. She's confident that Proserpine will return soon...but unfortunately this proves to be a misconception. Proserpine broke her fast and ate a pomegranate, which means she won't be allowed to leave. The person who witnessed her eating this fruit was turned into a bird, by the sounds of it something between and owl and a vulture. Jupiter sees that he must step in, so he allows Proserpine to return to earth for half of the year and and spend the other half in the underworld.

The theme of transformations in continued into this story. Minerva comes to Arachne is disguise and tries to give her advice, but Arachne sees an old woman that she doesn't have the time to listen to. Arachne is too prideful. The two prepare to have a weave-off. Arachne is very skilled in weaving, but Minerva is a goddess, so...it could be anybody's game.

Most of this story is spent describing the scenes that each woman has woven. I didn't find that part especially interesting and I don't have much to say about that. Arachne's creation is better, which makes Minerva jealous and angry. She tears the piece up and hit Arachne. For some reason, Arachne goes to hang herself, but Minerva turns her into a spider instead.

This is the story of another prideful woman. Basically, Niobe thinks really highly of herself and she refuses to worship the goddess Latona. In her pride, Niobe ignorantly believe that she is above harm and her wealth will protect her.

"My riches make me safe. I am greater than any whom Fortune can harm, and though she could take much away, she would leave me much more. Surely my comforts banish fear."

Latona is rightfully angry and begins to plan her revenge on Niobe. All of Niobe's children are struck down, one by one. Niobe begs to keep her youngest daughter, but her requests are in vain. She had seen seven children killed. I found this story sad. The children were all killed for something their mother said, so they had no control over their fates and they didn't really deserve to die just to tach Niobe a lesson.

In this story, more people are transformed into animals. First, the story explains that many are afraid of Latona for her power and wrath. The story goes on to tell of a time when Latona tried to drink from a pool of water and was turned away. She asked why this was and explained that nature should be for everybody's use. Still, the people did not respect Latona's wishes. They jumped around in the water and made the pool murky.With that, she cursed them to live in the swamp forever and turned them into frogs.

This story was really bizarre to me. Marysas is punished because apparently he's not allowed to be playing the flute. He is skinned alive. 

"As he screams, the skin is flayed from the surface of his body, no part is untouched. Blood flows everywhere, the exposed sinews are visible, and the trembling veins quiver, without skin to hide them: you can number the internal organs, and the fibres of the lungs, clearly visible in his chest."

A stream is created and named after him.

When your marriage begins because of a 'bird omen', you know you're going to have a rough time of things.At first, things seem pretty okay. Procne misses her sister, so she asks if her sister can come visit. Her husband Tereus sails off to pick up her sister, Philomela, and deeply lusts after her in the process.

Tereus wins Philomela and Procne's father's trust, and Philomela is allowed to visit. Not long after their ship departs, Tereus overtakes and rapes Philomela. She screams and yells at him, calling him a traitor and promising to make sure that the world knows what he has done to her. Tereus then cut Philomela's tongue out and returned to Procne, telling her that her sister had died.

Philomela is imprisoned. She is resourceful, and even thought she can't talk, she manages to weave a scene that explains her story. Philomela sends this depiction to Procne. Procne finds where her sister is being held and the two are reunited, but it's not a joyful reunion. Procne feels responsible for what happened to her sister and vows to do whatever to takes to make Tereus pay. Procne drags off and kills her own son with the help of Philomela. Itys, her dead son, is served to Tereus at the feast. Philomela throws Itys' head at Tereus. All three of them are turned into birds.

There was a lot going on in this story. Jason is hunting for the golden fleece, and Medea falls in love with him. Medea spends a lot of time contemplating what her love for Jason will cost her - she would have to leave her family and her native country. Most of the story is just her turning over her options, and in the end she decides to go for it.

Medea confesses her love to Jason and he takes it well, agreeing to marry her. Jason goes on to fight a bunch of things, including a dragon. He planted teeth from the dragon into the ground and they magically grew into soldiers. There is a big fight scene then Jason accomplishes his final task - putting the dragon to sleep so that he can retrieve the golden fleece. Medea helps him with magic.

Jason's father is old and on the verge of death. Jason asks Medea to cast a spell on his father to extend his life. It's quite a process, but Medea is able to do so. She collects herbs and magical things from all over the land and readies he spell to help Aeson.

After nine days and nights, Medea returns with all of her ingredients and begins to concoct something in her cauldron. It seemed to be a very elaborate creation and the ingredients are detailed, but I don't really think specific ingredients are relevant to anything. When the potion is finished brewing, Medea makes her move.

"As soon as she saw this, Medea unsheathed a knife, and cut the old man’s throat, and letting the old blood out, filled the dry veins with the juice. When Aeson had absorbed it, part through his mouth, and part through the wound, the white of his hair and beard quickly vanished, and a dark colour took its place. At a stroke his leanness went, and his pallor and dullness of mind. The deep hollows were filled with rounded flesh, and his limbs expanded. Aeson marvelled, recalling that this was his self of forty years ago."

This scene surprised me. I thought she might make him drink the potion or even pour the potion over him, but I didn't expect her to replace his blood with the potion. That seems a bit extreme, but hey. It seemed to work for her.

Medea and Jason come together and conspire to kill Pelias, Jason's uncle. Medea tricks Pelias' daughters into essentially killing him after she convinces them that it's what they must to do save him. Some more magic happens and Medea flies away on her dragons. Jason's new bride burns up, and Medea kills their sons.